There is a lot to love about being an author, but there are a number of frustrations that have nothing to do with actually writing. It’s the marketing and promotion that get to me. Currently, on the top of my list is the challenge of finding reviewers or book bloggers from whom I can request a review.
Navigating book reviewer/blogger sites
I’ve spent hours going through website after website of reviewers from Amazon’s Top Reviewers using Amazon’s website as well as this site, which makes it a little easier to find and check the reviewer out. Or you can go to Twitter and do a search for “book reviewers” or “book bloggers,” adding your genre as part of the search terms. No matter where you go to find potential reviewers, you will follow the same procedure once you’ve found a website link for them. Continue reading “5 Questions Book Bloggers/Reviewers Should Answer on Their Websites”
As I near the end of my current work-in-progress, The Clay Sustains, the third book of The Clay Series, I have arrived at the chapter wherein I will “solve” one of the greatest archaeological mysteries from the Hohokam era in the Tucson Basin.
In 1949, a man by the name of Ray Romo was hunting in an area of what is now Catalina State Park, near Tucson, Arizona. When the ground collapsed beneath his foot, I can only imagine he knelt down to examine the resulting hole and “peered into the past” (Swartz and Doelle, “The Romo Cache and Hohokam Life,” In the Mountain Shadows, 27:1, Archaeology Southwest, 1996 and 2013).
What he found was an ancient Hohokam pot cupped over a larger Hohokam pot containing a most exciting and intriguing treasure. Inside were 25 copper bells and 100,000 beads. That’s right. You read that correctly: 25 copper bells and 100,000 beads!
Continue reading ““Solving” an Archaeological Mystery in Fiction”
Many years ago, a colleague, Rus VanWestervelt, shared with me a graphic that illustrated his idea of the relationship between a writer and his reader. He described this relationship as a continuum wherein the writer never leaves the piece, but the audience doesn’t enter until a piece of writing has been officially established as a “draft,” that is, a piece of writing that has a future for the writer and a future for a reader who happens upon the piece. For this reason, he asserted, as long as the writer keeps the intended audience in mind during the drafting, revising, and editing stages of the manuscript, success is almost certain. Continue reading “A Writer’s Relationship with the Reader”